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Sakthi is a petty thief in a Chennai slum, who learns the Adimurai, the ancient and oldest form of martial arts. Meanwhile, an evil man and his son challenge Sakthi for a kickboxing tournament, and Sakthi agrees to participate in it.
Director: R.S. Durai Senthilkumar
Writer: R.S. Durai Senthilkumar
Stars: Dhanush, Sneha, Mehreen Pirzada | See full cast & crew »
Sakthi is a petty thief in a Chennai slum, who learns the Adimurai, the ancient and oldest form of martial arts, to fulfil his father Velappan’s destiny. Meanwhile, an evil man and his son challenge Sakthi for a kickboxing tournament, and Sakthi agrees to participate in it.
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Pattas Review: Every once in a while, our Tamil filmmakers stumble across a forgotten or dying ancient art form and come up with a film that makes it proud and brings it into the public consciousness – even if a little For a while. Along with Pattas, Durai Senthilkumar wants to do for the less-heard Adimurai of Tamil Nadu’s traditional martial arts, which the Indians did for Vermakalai and 7aum Arivu did for Bodhi Dharman. But the problem is that he is overcome by the novelty of Adimurai, and gives us a formulaic action drama that is predictable from beginning to end. Forget the plot structure and scenery, even the lines here hold no surprises.
The film begins in 2001 with a woman, Kanyakumari (Sneha, Solid), who is being jailed for murder. The action then proceeds to a place where Shakti aka Patta (Dhanush, Bayana) is leading a happy life, with some petty thieves and retaliation against the playful neighborhood girl Sadhana (Mehreen Pirzada) Is included. The latter steals him from his workplace, a mixed martial arts academy run by Nilan (Naveen Chandra, ineffective). But he does not realize that he has a history with Nilayan, until he meets Kanyakumari, until she is his longtime mother, who wishes she would be with her father, Thirviyam (Dhanush, again ) Avenge the killing and glorify the ancient martyr Adimurai. He practiced as art.
It is these parts featuring Thirviyam that are the saving grace of pattas. It is full of flashback drama, but surprisingly, this segment details the tragic turn of friendship between Thiruviam and Nilan, rather than flesh, and the subsequent strained relationship with her father, a primitive guru played by Nasser. , The writing material of Durai Senthilkumar dealing with the wide strokes that these scenes are half as emotionally effective as they should have been, and the feeling that Received. But there is an inherent quality promoted by Vivek-Marvin’s porous score.
On the other hand, the director Pattas-Sadhana spends too much time on the track, which is not as funny as he would like. There is no chemistry between the two leads, in which Mahrin’s performance is lifeless and Dhanush is a teenager because of his youthful antics. And even the parts that follow the film’s big revelations lack influence. Even the play we associate with the sports film genre lacks MMA competition scenes in which PATA is made to take on opposing players. After a vigorous performance in Kodi, it is surprising that Durai Senthilkumar went as his masculine Kaki Sattai and gave us this strap without any bang.